Anne Collier
Eye #1
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

Anne Collier
Eye #2
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

Anne Collier
Eye #3
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

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Anne Collier
Eye #1
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

Anne Collier
Eye #2
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

Anne Collier
Eye #3
2014
Courtesy of the artist; Anton Kern Gallery, New York; Gallery New, Berlin; The Modern Institute/Toby Webster Ltd., Glasgow; and Marc Foxx Gallery, Los Angeles
© Anne Collier

Anne Collier

Anne Collier (b.1970, Los Angeles) is an American artist who lives and works in New York. She received her BFA from California Institute of the Arts, Valencia in 1993 and her MFA from the University of California Los Angeles in 2001. Her work was the subject of a major survey exhibition, which traveled from the Hessel Museum of Art at Bard College to MCA Chicago (both 2014), Aspen Art Museum (2015), and the Art Gallery of Ontario (2016). Other recent solo exhibitions include Rat Hole Gallery in Tokyo, Japan; Galerie Neu in Berlin, Germany; and Anton Kern Gallery in New York, NY (2016).

Recent group exhibitions include Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York, NY; First Light: A Decade of Collecting at the ICA Boston, MA; Invisible Adversaries, The Hessel Museum at Bard College, Annadale-On-Hudson, NY; Systematically Open: New Forms for Contemporary Image Production, Luma Arles, Arles; MANIFESTA 11, curated by Christian Jankowski, Zurich, Switzerland; Strange Oscillations and Vibrations of Sympathy, University Galleries of Illinois State University, Normal, IL; and The Sun Placed in the Abyss, Columbus Museum of Art, Columbus, OH (all 2016). In 2015 Collier’s work was included in Photo-Poetics: An Anthology at the Solomon R. Guggenheim Museum, New York, NY.

Her work is featured in the permanent collections of the Art Gallery of Ontario, Toronto; Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Contemporary Art, Los Angeles; the Hammer Museum, Los Angeles; the Centre Georges Pompidou, Paris, France; Tate Modern, London; the Art Institute of Chicago; the Centre national des arts plastique, Paris; FRAC Nord-Pas de Calais, Dunkerque; the Hessel Museum of Art, Annadale-on-Hudson; the Institute of Contemporary Art, Boston; the Los Angeles County Museum of Art; Miami Art Museum; The Museum of Contemporary Art San Diego; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; among others.

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