Christopher Eamon is an independent Canadian curator and writer. He has curated notable exhibitions at museums and galleries internationally including the Hamburger Bahnhof Museum for Contemporary Art, Berlin; MoMA PS1, New York; the Institute of Contemporary Art, London; the San Francisco Museum of Modern Art; and the Aspen Art Museum. In 2011, he curated Rearview Mirror: New Art from Central and Eastern Europe for the Power Plant, Toronto, and the Art Gallery of Alberta, Edmonton. His publications include Anthony McCall: the Solid Light Films and Related Works (Northwestern University Press, Evanston, IL, and Steidl, Germany, 2005); writings on film and video art from 1950 to 1980 in Film and Video Art (Tate Publishing, 2009); and he is the co-editor, with Stan Douglas, of Art of Projection (Hatje Cantz, 2009), an anthology on the history and significance of projected images from the eighteenth century to the present. He is the former director of the distinguished Pamela and Richard Kramlich Collection, San Francisco, and the New Art Trust, San Francisco; and former assistant curator at the Whitney Museum of American Art, New York.