Edward Burtynsky
Shipyard #7, Qili Port, Zhejiang Province, China
2005
Chromogenic colour print
48” x 60”
© Edward Burtynsky, courtesy of Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

Edward Burtynsky
Oil Fields #18, Belridge, California, USA
2003
Chromogenic colour print
48” x 60”
©Edward Burtynsky, courtesy Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

Edward Burtynsky
Nickel Tailings #6, Sudbury, Ontario, Canada
1995
Chromogenic colour print
22.5” x 45”
©Edward Burtynsky, courtesy Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

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Edward Burtynsky
Shipyard #7, Qili Port, Zhejiang Province, China
2005
Chromogenic colour print
48” x 60”
© Edward Burtynsky, courtesy of Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

Edward Burtynsky
Oil Fields #18, Belridge, California, USA
2003
Chromogenic colour print
48” x 60”
©Edward Burtynsky, courtesy Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

Edward Burtynsky
Nickel Tailings #6, Sudbury, Ontario, Canada
1995
Chromogenic colour print
22.5” x 45”
©Edward Burtynsky, courtesy Nicholas Metivier Gallery / Paul Kuhn Gallery, Calgary

A Terrible Beauty: Edward Burtynsky in Dialogue with Emily Carr

A Terrible Beauty presents a selection of photographs by Edward Burtynsky in dialogue with paintings and drawings by Emily Carr. Though working in different mediums and over fifty years apart, both artists sought to record the changing, industrialized landscape and our place within it.

A Terrible Beauty is organized and circulated by the Vancouver Art Gallery with the generous support of the Killy Foundation.

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