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門 The Doors (2016) is Hyung-Min Yoon’s third work to utilize text as sculpture for an outdoor installation. In particular, this series positions the text on a body of water to generate a reflection and, in so doing, activates the artwork as an ephemeral manifestation of light. In this instance, the sculpture has been designed for mobility, to be transported and documented in multiple locations, thus broadening the possible associated narratives. The documentation of these temporary, site-specific installations becomes another moment of reflection and capture through the camera’s lens.