Event Dates
Time
10:30 am – 11:00 am
Adad Hannah, What Fools These Mortals Be (still), 2022, three-channel video installation, 15 mins. Courtesy of the Artist, Equinox Gallery, and Pierre-
François Ouellette art contemporain. Produced in collaboration with The Circle Project.
Jin-me Yoon, Untitled 9 (Long Time So Long), 2022, inkjet print, 139.7 x 203.2 cm. Courtesy of the Artist. Photo: Rachel Topham Photography.
Jake Kimble, Grow Up #5, 2022, archival inkjet print mounted on Dibond, 40.64 x 50.8 cm. Courtesy of the Artist.
Michelle Sound, Foster Care, 2022, monochrome print on paper, dyed porcupine quills, embroidery thread, seed beads, vintage beads, caribou hair tufting, 130.81 x 99.69 cm. Courtesy of the Artist and Ceremonial/Art.
Adad Hannah, What Fools These Mortals Be (still), 2022, three-channel video installation, 15 mins. Courtesy of the Artist, Equinox Gallery, and Pierre-
François Ouellette art contemporain. Produced in collaboration with The Circle Project.
Jin-me Yoon, Untitled 9 (Long Time So Long), 2022, inkjet print, 139.7 x 203.2 cm. Courtesy of the Artist. Photo: Rachel Topham Photography.
Jake Kimble, Grow Up #5, 2022, archival inkjet print mounted on Dibond, 40.64 x 50.8 cm. Courtesy of the Artist.
Michelle Sound, Foster Care, 2022, monochrome print on paper, dyed porcupine quills, embroidery thread, seed beads, vintage beads, caribou hair tufting, 130.81 x 99.69 cm. Courtesy of the Artist and Ceremonial/Art.
Tour
Otherwise Disregarded Curatorial Tour with Emmy Lee Wall and Kiriko Watanabe
ADMISSION
Free
In person at the Audain Art Museum
Registration required
Register here
Join Executive Director and Chief Curator of Capture Photography Festival, Emmy Lee Wall, and Gail & Stephen A. Jarislowsky Curator of the Audain Art Museum Kiriko Watanabe for a daytime tour of the exhibition Otherwise Disregarded featuring photographic works from artists Adad Hannah, Jake Kimble, Michelle Sound, and Jin-me Yoon.
The full daytime programming on Sunday, April 21, 2024 includes a breakfast reception before the exhibition tour at 10:00 am and a panel discussion with the participants from Adad Hannah’s work What Fools These Mortals Be following the exhibition tour at 11:30 am.
This Special Capture Photography Exhibition showcases compelling photographic and video works that encourage viewers to contemplate deeply the current social, political, and environmental state of the world. It brings attention to the painful past linked with colonial injustice, social discrimination, intergenerational experiences, and environmental devastation, calling for justice and a sustainable future.
Otherwise Disregarded is co-organized by the Audain Art Museum and Capture Photography Festival. The exhibition is curated by Kiriko Watanabe, Gail & Stephen A. Jarislowsky Curator, Audain Art Museum, and Emmy Lee Wall, Executive Director and Chief Curator, Capture Photography Festival, as a Featured Exhibition for the 2024 Festival.
If you would like to make a donation to support Capture Photography Festival, please donate via our registered charitable organization Vancouver Association for Photographic Arts here. Amounts greater than $20.00 will receive a tax receipt.
About the Artists:
Adad Hannah
Born in New York, Adad Hannah spent his childhood in Israel and England and moved to Vancouver in the early 1980s. He explores historical themes through his installation, video, sculpture, photography, and tableaux vivants (living pictures).
Jake Kimble
Jake Kimble is a multidisciplinary Dënesųłıné (Chipewyan) artist from Treaty 8 territory in the Northwest Territories. His practice mainly revolves around acts of self-care, self-repair, and gender-based ideological refusal.
Michelle Sound
Michelle Sound is a Cree and Métis artist whose work explores personal and familial narratives, with a consideration of Indigenous artistic processes. Her works delve into cultural identities and histories by engaging with materials and concepts within a contemporary context.
Jin-me Yoon
Jin-me Yoon is a Korea-born, Vancouver-based artist whose work explores the entangled relations of tourism, militarism, and colonialism. Since the early 1990s, she has employed photography, video, and performance to situate her personal experience of migration in relation to unfolding historical, political, and ecological conditions.
