Dana Claxton works in film, video, photography, single- and multi-channel video installation,
and performance art. Her practice investigates beauty, the body, the socio-political, and the
spiritual. Her work has been shown internationally at the Museum of Modern Art, Walker Art
Centre, Sundance Film Festival, Eiteljorg Museum, and the Museum of Contemporary Art
(Sydney) and held in public collections including the Vancouver Art Gallery, National Gallery of
Canada, Art Bank of Canada, and the Winnipeg Art Gallery. She has received numerous awards
including the VIVA Award and the Eiteljorg Fellowship. Her work was selected for a Vancouver
Art Gallery career survery (2018), the 17th Biennale of Sydney (2010), Biennale de Montréal
(2007), Biennale d’art contemporain du Havre, France (2006), Micro Wave, Hong Kong (2005)
Art Star Biennale, Ottawa (2005), and Wro 03 Media Arts Biennale Wroclaw Poland (2003). She
has created commissioned works for the University of Lethbridge Gallery, Alternator Gallery,
Winnipeg Art Gallery, Urban Shaman, Moose Jaw Museum and Art Gallery, and Tribe. She has
presented talks at the Getty Institute and the Art College Association and the Opening Week
Forum of the Biennale of Sydney. Claxton was born in Yorkton, Saskatchewan, and her family
reserve is Lakota First Nations – Wood Mountain, located in beautiful southwest Saskatchewan.
Her paternal Euro-Canadian grandmother taught her how to harvest and preserve food and her
maternal Lakota grandmother taught her to seek justice.