Victor John Penner
Like Teen Spirit
2016
Backlit transparency 48” x 60”

Victor John Penner
Breach
2016
Archival pigment print
48” x 60”

Victor John Penner
No Entry
2016
Archival pigment ink on self-adhesive satin vinyl
64” x 80”

Victor John Penner
Egress
2016
Archival pigment print 48” x 60”

Victor John Penner
Cry Wolf
2016
Archival pigment print 48” x 60”

Victor John Penner
Rabbit Lane
2016
Archival pigment print, 48” x 60”

Victor John Penner, Attilla Richard Lukacs, 2015
Epson print on archival rag paper, 32” x 40”

Victor John Penner, Angela Grossmann, 2015
Epson prints on archival rag paper, 32” x 40”

Victor John Penner, Gu Xiong, 2015
Epson prints on archival rag paper, 32” x 40”

Untitled, 2001
From Not Safe to Occupy
16 x 20 in.

Victor John Penner
My Adidas
2016
Archival pigment print
24” x 30”

Victor John Penner
Like Teen Spirit
2016
Backlit transparency 48” x 60”

Victor John Penner
Breach
2016
Archival pigment print
48” x 60”

Victor John Penner
No Entry
2016
Archival pigment ink on self-adhesive satin vinyl
64” x 80”

Victor John Penner
Egress
2016
Archival pigment print 48” x 60”

Victor John Penner
Cry Wolf
2016
Archival pigment print 48” x 60”

Victor John Penner
Rabbit Lane
2016
Archival pigment print, 48” x 60”

Victor John Penner, Attilla Richard Lukacs, 2015
Epson print on archival rag paper, 32” x 40”

Victor John Penner, Angela Grossmann, 2015
Epson prints on archival rag paper, 32” x 40”

Victor John Penner, Gu Xiong, 2015
Epson prints on archival rag paper, 32” x 40”

Untitled, 2001
From Not Safe to Occupy
16 x 20 in.

Victor John Penner
My Adidas
2016
Archival pigment print
24” x 30”

Victor John Penner

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In the early 1980s, Victor John Penner worked as a graphic designer in Tokyo, Japan, where he created applied designs for fashion designer Kansai Yamamoto and portrait commissions for Christian Dior. While printmaking, filmmaking, and design are all part of Penner’s oeuvre, since 1992 he has concentrated almost exclusively on the photographic image. His works have been exhibited in public spaces and in galleries locally and internationally including in Not Safe to Occupy at the Gordon Smith Gallery of Canadian Art, North Vancouver, in 2014.