No Place, 2025

No Place utilizes hand-cut collage, assemblage, and re-photography to forge layered connections between architecture, history, and ideology. The resulting composition serves as a speculative reconstruction that reimagines both physical and ideological spaces. Brutalist architecture once symbolized a progressive egalitarian society. Adopted widely by European Communist states, its raw, uncompromising aesthetic embodied a collective utopian vision. Over time, however, many of these structures have deteriorated, revealing the fragility of the ideologies they were meant to uphold. Today, they stand as monuments to unfulfilled aspirations.

By dissecting and recomposing archival images of these forms, the artist evokes their original egalitarian ideals while also critically reflecting on their failures. This act of cutting and reconfiguring offers new imaginative entry points for thinking about idealized societies. It invites viewers to pause and consider how architecture and infrastructure shape, and are shaped by, human stories. With this work installed on a Canada Line station in Richmond, one cannot help but draw connections to the brutalist forms and the dominant architectural aesthetics surrounding the station. What ideals and failures does our current cityscape represent?

Presented and funded by the City of Richmond Public Art Program and Richmond Art Gallery in partnership with Capture.