Event Dates
Time
2:30 pm – 5:00 pm
Makito Inomata, Blue Orange, 2022, archival inkjet print, 58.4 x 84 cm. Courtesy of the Artist.
Solange Adum Abdala, Crónicas del Siglo XX, 2025, inkjet print on archival rolled paper 6 rolls, 45 x 431 cm each. Courtesy of the Artist and the Morris and Helen Belkin Art Gallery.
William Dekur, Grouse 22 “Labatt's 79,”, 1979, inkjet print, 60 x 60 cm. NVMA No. 218, Museum & Archives of North Vancouver - MONOVA Collection.
Simranpreet Anand, Softness in the Sikh Home, 2024, embroidered framed photographs, dimensions variable. Courtesy of the Artist.
Photo: Erin Kirkland, Michigan Photography, UM.
Tania Willard, Only Available Light (detail), 2016, archival film (Harlan I. Smith, The Shuswap Indians of British Columbia, 1928, 8:44 min.), projector, quartz crystals and photons, dimensions variable, original composition by Leela Gilday. Courtesy of The Blackwood, University of Toronto, Mississauga. Photo: Toni Hafkenscheid.
Makito Inomata, Blue Orange, 2022, archival inkjet print, 58.4 x 84 cm. Courtesy of the Artist.
Solange Adum Abdala, Crónicas del Siglo XX, 2025, inkjet print on archival rolled paper 6 rolls, 45 x 431 cm each. Courtesy of the Artist and the Morris and Helen Belkin Art Gallery.
William Dekur, Grouse 22 “Labatt's 79,”, 1979, inkjet print, 60 x 60 cm. NVMA No. 218, Museum & Archives of North Vancouver - MONOVA Collection.
Simranpreet Anand, Softness in the Sikh Home, 2024, embroidered framed photographs, dimensions variable. Courtesy of the Artist.
Photo: Erin Kirkland, Michigan Photography, UM.
Tania Willard, Only Available Light (detail), 2016, archival film (Harlan I. Smith, The Shuswap Indians of British Columbia, 1928, 8:44 min.), projector, quartz crystals and photons, dimensions variable, original composition by Leela Gilday. Courtesy of The Blackwood, University of Toronto, Mississauga. Photo: Toni Hafkenscheid.
