Preston Buffalo, Hawks Alley May 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

Preston Buffalo, Astoria January 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

Preston Buffalo, Raymur Crossing February 21 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

Preston Buffalo, Hawks Alley May 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

Preston Buffalo, Astoria January 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

Preston Buffalo, Raymur Crossing February 21 2023, 2023, stereoscopic image, dimensions variable. Courtesy of the Artist.

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Selected

Go Home Yuppie Scum

Accessibility note:
The building’s elevator and escalator may be out of service. Please visit the gallery’s Instagram at @queerarts for up-to-date information on this issue or look for directional signage inside the building’s lobby for instructions on how to access the gallery.

SUM Gallery presents Go Home Yuppie Scum, a solo exhibition by Vancouver-based Two-Spirit Cree artist Preston Buffalo.

This exhibition takes its title from graffiti that appeared on empty and/or sold Vancouver houses and lots in the 1980s written as part of the local anti-gentrification movement. Go Home Yuppie Scum is an irreverent take on the “Welcome to Vancouver” View-Master reels, which featured three-dimensional images of Vancouver landmarks as a popular means of enticing tourists to visit during the 1960s through ’80s. By making use of six vintage View-Masters, one vintage View-Master projector, and a series of printed, AR-enhanced images stationed around the interior of SUM gallery, Buffalo reveals a very different perspective of the city: crumbling, graffiti-adorned structures in the Downtown Eastside, disused rail lines, and thickets of overgrown flora – all eerily devoid of inhabitants. Buffalo applies infrared filters to much of his photographic work, transforming familiar Vancouver scenes into vibrant alien landscapes. The result is a series of urban snapshots that subvert the stereotypical “Beautiful British Columbia” tropes by presenting quasi-dystopian scenes that are unsettling, otherworldly, and beautiful.

Please note this exhibition is wheelchair accessible via elevator.

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